Performance plus Ausstellung
WILDES FLEISCH -
Wie zusammen leben?
von und mit
VN Jaeger & Schwarzwald
im Rahmen der
Wien Woche 2016
FOREVER TOGETHER
LESUNG:
Vinko Nino Jaeger
'Walking Ideas'
in
'ways to wander'
In ‚Walking Ideas’ geht der Körper mit Wörtern, die die Seinen werden sollen, spazieren und schreibt sich neue Wege. Dies ist eine von 54 poetischen Einladungen aus dem neu erschienen Buch ‚Ways To Wander’.
http://www.triarchypress.net/vinko-nino-jaeger.html
Order this book from
book launch of the publication
Ways to Wander
Claire Hind and Clare Qualmann (Editors)
Friday 24th July 2015 from 6pm - 9pm
at The White Building in the Live Art Development Agency's Study Room, London.
Ways to Wander is intended for anyone who makes, or wants to make,
walking art or walk-performances - and for anyone interested in psychogeography, radical walking, drift and dérive.
Order this book from
http://www.triarchypress.net/waystowander.html
Am 7. Juli um 19h: Vinko Nino Jaeger, Der sichtbar unsichtbare Körper, im Gespräch mit Marissa Lôbo. Galerie IG Bildende Kunst, Gumpendorferstrasse 10 - 12, Wien.
Vernissage ActivAge am Donnerstag, 25. Juni um 18h.in: die Grüne Galerie 7, Hermanngasse 25, 1070 Wien
LOOSE SPACE
artP Kunstverein, Perchtoldsdorf
Sat 9th May till 13th June
Semperdepot, Lehargsse 6 - 8, 1060 Wien
Silent Objects Silent Bodies
Title: Silent Objects/Silent Bodies - koerper e, koerper u, koerper i, koerper o
Idea: Poetic concentration on the human body and the name as a fetish. The word fetish is used in its german etymological meaning as "magic object or subject", "something that is artificially arranged".
Fetisch m. erw. fach. `magischer Gegenstand, Götzenbild` (< 18. Jh.). Entlehnt aus frz. fétiche, dieses aus port. feitico `Zauber, Zaubermittel`, eigentlich `künstlich Hergerichtetes`, zu 1. facere `machen, tunʻ . [...]
In: Kluge, Etymologisches Wörterbuch der deutschenSprache, Bearb. von Elmar Seebold, 23., erweiterte Auflage, S. 261, Berlin; New York : Walter de Gruyter, 1999.
For the word poetry I followed Andrey Tarkovskys definition:
„When I speak of poetry I am not thinking of it as a genre. Poetry is an awareness of the world, a particular way of relating to reality. [...] You were walking along the street and your eyes met those of someone who went past you. There was something startling in his look, it gave you a feeling of apprehension.“,
Andrey Tarkovsky, „Sculpting in Time“, S. 21 - 23, 2010.
Material: stone, used wood, fabric, steel, rope, dry leaves, paper, straw, plastic, epoxy, cord, typewriter printed Latin letters, egg tempera, wax, cardboard, dry berry.
Sculpture and Photography
Time: 2010/2011
